Guitar legend Yngwie Malmsteen will release his new album, Blue Lightning, on March 29th via Mascot Records/Mascot Label Group. An official lyric video for the track “Sun’s Up Top’s Down” can be checked out above.
The album will be available on CD, Lightning Blue Marble 2LP (webshop exclusive) and Ltd Edition CD Box Set. Pre-order here.
To call Yngwie Malmsteen a ‘maestro’ or ‘virtuoso’ is to state the obvious. But such terms don’t do sufficient justice to either his talent or impact. There are innumerable guitarists who have copied a small part of the vast musical spectrum that defines him, but nobody comes close to achieving what he has over a period of nearly four decades.
This man is an undoubted pioneer, someone whose style and creativity has inspired so many others. While he first came to everybody’s notice in Los Angeles with Steeler’s self-titled album (1983), followed by Alcatrazz’s No Parole From Rock ‘N’ Roll the same year and Live Sentence (’84), it’s been what he’s done since in a distinguished and far ranging career as a solo performer and band leader that has momentously shown Malmsteen’s craft and worth as one of the elite guitarists on the planet. Combining skills that span a vast spectrum of inspirations, he stands as a giant, melding melody, technique and an epic scope in a unique and inclusive fashion.
Now, with Blue Lightning, the man highlights not only his enduring dexterity and diversity, but also pays homage to those from the Blues world who have fueled his artistic spirit for so long.
“Now, I grew up in a classically trained family, and people know me for playing in what is called a neo classical style. But when I got a guitar for my fifth birthday, what I would try to emulate were John Mayall & The Bluesbreakers – I would jam along to what they did on record with Eric Clapton (Bluesbreakers With Eric Clapton album). That’s something people don’t realize about me – I do have a strong interest in the blues. So, when Mascot came to me with the suggestion of doing an album of songs in this style, it didn’t faze me at all. In fact, it seemed so natural.”
What Malmsteen has done here is combine choices which might seem almost obvious with some that will turn heads. He shares, “There were songs that were immediately clear I wanted to do. These were the likes of ‘Purple Haze’ and ‘Smoke On The Water’ which I have been playing since I was a kid. But then I also went for something like ‘While My Guitar Gently Weeps’ which I wasn’t sure I could do. In this case, it’s about trial and error. I am delighted that I was able to do justice to the original.”
Anyone who is expecting Malmsteen to copy exactly the way the original versions sound is in for a shock. Because that is not what he has done. He reflects, “I have never been one of those people who wants to sit down and mimic the way in which a song sounds on record. I don’t see the point in doing that. If all you want to hear is a song the way you remember it, then the originals are there for you. What I have done is add in my own vibe and personality, while paying tribute to what you already know. That way I feel I am being myself, yet also being respectful to those artists.”
One thing this album has allowed Malmsteen to do is to challenge himself, which is certainly the case of Eric Clapton’s “Forever Man.” He offers, “I heard this on the radio, and honestly I didn’t know whether I could do it for this album. But I sat down and tried things, and they worked out. I had to rise to the occasion and am delighted to have done exactly that.”
“I have always played around with old songs, both live and also in the studio. I did a similar album called Inspirationa while ago (1996), and it was Mascot who came to me and suggested I do a blues record.”
Learn more HERE.
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