{"id":94147,"date":"2022-07-03T09:33:23","date_gmt":"2022-07-03T14:33:23","guid":{"rendered":"https:\/\/themetalden.com\/?p=94147"},"modified":"2022-07-03T09:39:57","modified_gmt":"2022-07-03T14:39:57","slug":"krankheit-sign-with-wormholedeath-debut-new-music-video","status":"publish","type":"post","link":"https:\/\/themetalden.com\/?p=94147","title":{"rendered":"KRANKHEIT &#8211; Sign With Wormholedeath, Debut New Music Video"},"content":{"rendered":"\n<p class=\"has-text-align-center\">Austrian Dark Metal outfit\u00a0<strong>KRANKHEIT<\/strong>\u00a0have\u00a0<strong>signed<\/strong>\u00a0a licensing deal\u00a0<strong>with Wormholedeath for their album &#8220;Gargantua&#8221;, which will be released on September 30th, 2022.<\/strong>After four years, two of them dominated by a pandemic and a challenging anniversary, with internal band restructuring,\u00a0<strong>KRANKHEIT are back with a new album. &#8220;Gargantua&#8221;<\/strong>, the successor to the third work &#8220;Zerberus&#8221;,\u00a0<strong>sings about the dark sides and abysses in a typical KRANKHEIT manner<\/strong>\u00a0and forms a mirror of the current events of our contemporary history.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>It is named after the character Gargantua from the novels by Fran\u00e7ois Rabelais.<\/strong>\u00a0<strong>An insatiable giant who vomits in greed and gluttony on the people<\/strong>\u00a0and depicts a pastiche of them. KRANKHEIT manage to stay true to their trademarks and at the same time venture into new musical realms.\u00a0<strong>Martially driving guitar riffs as in &#8220;Kommunikation&#8221; reflect the usual catchy level of hardness of the band.<\/strong>\u00a0Lyrically, the most important and most burning topic of all at the moment is put to the test here in the programmatically titled piece.\u00a0<strong>Songs like &#8220;Gargantua&#8221; and &#8220;M\u00fcll&#8221; show that it&#8217;s becoming even more aggressive in general,<\/strong>\u00a0which are interspersed with\u00a0<strong>blast beats and shredding guitars.<\/strong>\u00a0<strong>With &#8220;Bett des Prokrustes&#8221; and &#8220;Ave Maria&#8221;<\/strong>\u00a0KRANKHEIT show again that they are masters of their craft and plant themselves excellently in\u00a0<strong>well-known classical compositions.<\/strong>\u00a0<strong>The symbiosis between classic and dark metal is extensively celebrated and driven to extremes by &#8220;Neid&#8221; with its brutal ending.<\/strong>\u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">There are\u00a0<strong>bluesy touches in \u201cExorzist\u201d<\/strong>,\u00a0<strong>to which Andres Vargas,<\/strong>\u00a0singer of the black metal band \u201cThy Antichrist\u201d,\u00a0<strong>lends his haunting voice.<\/strong>\u00a0The limits of the interpersonal relationship demons get a new face here. &#8220;Gargantua&#8221; takes the creation of KRANKHEIT to the next level and prepares the ground for an eventful and complex future. <\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Current line up<\/strong><br \/>Chris Pr\u00e4auer, Vocals<br \/>Tony Gassner, Drums<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/www.facebook.com\/Krankheit.Band\/\">https:\/\/www.facebook.com\/Krankheit.Band\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Krankheit - Kommunikation (Official Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/h6DY1wvUhw4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Austrian Dark Metal outfit\u00a0KRANKHEIT\u00a0have\u00a0signed\u00a0a licensing deal\u00a0with Wormholedeath for their album &#8220;Gargantua&#8221;, which will be released&#8230;<\/p>\n","protected":false},"author":2,"featured_media":94148,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_mo_disable_npp":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-94147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/94147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=94147"}],"version-history":[{"count":3,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/94147\/revisions"}],"predecessor-version":[{"id":94151,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/94147\/revisions\/94151"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/media\/94148"}],"wp:attachment":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=94147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=94147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=94147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}