{"id":91831,"date":"2022-03-30T15:24:14","date_gmt":"2022-03-30T20:24:14","guid":{"rendered":"https:\/\/themetalden.com\/?p=91831"},"modified":"2022-03-30T15:30:12","modified_gmt":"2022-03-30T20:30:12","slug":"hadal-maw-debut-new-music-video","status":"publish","type":"post","link":"https:\/\/themetalden.com\/?p=91831","title":{"rendered":"HADAL MAW – Debut New Music Video"},"content":{"rendered":"\n

Melbourne-based death-metal heavyweights\u00a0HADAL MAW<\/a><\/strong>\u00a0have recently shared a music video for\u00a0“Future Eaters”<\/strong>, a new song\u00a0from the band’s most recent\u00a0EP\u00a0\u201cOblique Order\u201d<\/strong>, which was released last December via\u00a0Blighttown Records<\/strong>.<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Directed by Nick Rackham <\/strong>and Ian Ritter<\/strong>, this new video is now playing at Heavy Blog Is Heavy<\/strong>, who commented \u201cFuture Eaters\u201d is all about our rapidly spiraling out consumption of the planet and ourselves. And the music fits the theme, channeling that kind of deep, chasm-like miasmic death metal that made us fall in love with Hadal Maw originally, all those years ago now. Especially powerful, as always with this band, are the drums; they run an interesting balance between being dynamic and unexpected and brutally punchy. They lend a crisp edge to what can otherwise be a genre that\u2019s all mud, turning Hadal Maw\u2019s tones into stabbing knives of metal efficiency.”<\/em><\/p>\n\n\n\n

Watch “Future Eaters” video here.<\/strong><\/a><\/p>\n\n\n\n

The new effort follows-up the band\u2019s 2018 EP\u00a0\u201cCharlatan\u201d<\/strong>\u00a0and presents four tracks of uncompromising and confronting aural violence whilst also introducing new members\u00a0Liam Weedall (Dyssidia)<\/strong>\u00a0and\u00a0Jarrod Sorbian (D\u00e9parte)<\/strong>. Musically the four track EP delves further into the more visceral aspect of their sound and composition while maintaining the technical wizardry that the band established on previous releases. The title track features guest vocals from three of Australia\u2019s most accomplished vocalists;\u00a0Karina Utomo (High Tension)<\/strong>,\u00a0Luke Frizon (Growth)<\/strong>\u00a0and\u00a0Antony Oliver (Descent)<\/strong>.<\/p>\n\n\n\n

Ever since their inception in 2012,\u00a0Hadal Maw<\/strong>\u00a0have moving forward gradually and steadily, developing a solid and loyal fan base. The band have toured consistently on their acclaimed releases\u00a0“Senium”<\/strong>\u00a0from 2014,\u00a0“OLM”<\/strong>\u00a0from 2017 and\u00a0“Charlatan”<\/strong>\u00a0from 2018, supporting acts such as\u00a0Archspire<\/strong>,\u00a0Decapitated<\/strong>,\u00a0Suffocation<\/strong>,\u00a0Thy Art is Murder<\/strong>,\u00a0Anaal Nathrakh<\/strong>,\u00a0The Black Dahlia Murder<\/strong>,\u00a0Aborted<\/strong>\u00a0and\u00a0Beyond Creation<\/strong>\u00a0 as well as breaking into the international touring circuit, playing eleven countries across Europe in 2019 alongside renowned bands\u00a0Aversions Crown<\/strong>,\u00a0Psycroptic\u00a0<\/strong>and\u00a0Within Destruction<\/strong>. After seething and conjuring during the Covid-19 lock-downs, Hadal Maw are now set to return with their most vicious material to date,\u00a0“Oblique Order\u201d<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Melbourne-based death-metal heavyweights\u00a0HADAL MAW\u00a0have recently shared a music video for\u00a0“Future Eaters”, a new song\u00a0from the…<\/p>\n","protected":false},"author":2,"featured_media":91834,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_mo_disable_npp":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-91831","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/91831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=91831"}],"version-history":[{"count":6,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/91831\/revisions"}],"predecessor-version":[{"id":91839,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/91831\/revisions\/91839"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/media\/91834"}],"wp:attachment":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=91831"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=91831"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=91831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}