{"id":115185,"date":"2024-12-16T16:07:49","date_gmt":"2024-12-16T21:07:49","guid":{"rendered":"https:\/\/themetalden.com\/?p=115185"},"modified":"2024-12-16T16:07:52","modified_gmt":"2024-12-16T21:07:52","slug":"rotten-sound-drop-agony-lyric-video","status":"publish","type":"post","link":"https:\/\/themetalden.com\/?p=115185","title":{"rendered":"ROTTEN SOUND – Drop “Agony” Lyric Video"},"content":{"rendered":"\n

Time To Kill Records<\/strong>\u00a0is thrilled to announce that\u00a0\u201cMurderworks\u201d<\/strong>, the iconic third album by Finnish grindcore pioneers\u00a0ROTTEN SOUND<\/strong>, is once again available for streaming on all major platforms starting today! Originally released in 2002, this landmark album reshaped the grindcore landscape with its ferocious intensity and razor-sharp execution, earning its place as a timeless classic.As part of this reissue celebration, a brand-new lyric video for\u00a0\u201cAgony\u201d\u00a0<\/strong>has also been unveiled. Watch it\u00a0HERE<\/a><\/strong>.<\/p>\n\n\n\n

This standout track features a powerful guest performance by the late\u00a0Mieszko Talarczyk<\/strong>\u00a0of\u00a0NASUM<\/strong>, further cementing its legendary status.The band commented:\u00a0\u201c\u2018Agony\u2019 is the closing track for \u2018Murderworks\u2019, featuring Mieszko Talarczyk (R.I.P.) on vocals. It\u2019s a furious and heavy grindcore track that was next to impossible to play live due to the split vocals. But we did it a few times and may do it again in the future\u201d.<\/em>The reissue of\u00a0\u201cMurderworks<\/strong>\u201d in physical formats –\u00a0including digipak CD, double gatefold LP (available in multiple variants, ie black, red, marble, splatter), and cassette –\u00a0will officially drop on\u00a0January 3rd, 2025<\/strong>.<\/p>\n\n\n\n


“Murderworks”<\/strong>\u00a0was celebrated upon its initial release for its ferocity and uncompromising sound, setting a high standard in extreme music. The album showcases\u00a0ROTTEN SOUND<\/strong>\u00a0at their most intense, with an unyielding energy that captures the essence of grindcore’s chaotic power with hints of razor-sharp death metal. This reissue offers both longtime fans and newcomers the chance to appreciate the album\u2019s original fury, restored and ready to assault ears once again.The band added:\u201c\u2018Murderworks\u2019 is the third full album of Rotten Sound and is also considered as the stepping stone for the band, which also got us finally touring internationally. We had been doing more crusty stuff at first on \u2018Under Pressure\u2019 and earlier releases. Then we added elements of death metal on \u2018Drain\u2019 and finally started blasting more than ever on \u2018Murderworks\u2019.<\/em><\/p>\n\n\n\n


\u2018Murderworks\u2019 was created mostly during 2001, when Keijo already lived in Tampere while others still were based in Vaasa. Keijo had moved already in 1997, but on 2001 he was rehearsing more than before with others, who were also spending a lot of time together at the rehearsal place. That extensive rehearsing made the release and entire band tighter than before, which probably has a lot to do with how the album ended up being\u201d.<\/em><\/p>\n\n\n\n

Tracklist:<\/p>\n\n\n\n

1. Targets
2. Void
3. Revenge
4. Lies
5. Doom
6. Iq
7. Insects
8. Seeds
9. Suffer
10. Obey
11. Edge
12. Lobotomy
13. Insane
14. Agony

<\/strong>Preorders:https:\/\/timetokillrecords.com\/collections\/rotten-sound-murderworks-reissue-2025<\/a>https:\/\/rotten-sound-murderworks.bandcamp.com\/album\/murderworks-reissue-2025<\/a>

ROTTEN SOUND<\/strong> <\/a>https:\/\/www.facebook.com\/RottenSoundOfficial<\/a><\/p>\n\n\n\n

https:\/\/www.rottensound.com\/<\/a>

Time To Kill Records<\/strong> <\/a>https:\/\/timetokillrecords.bandcamp.com\/<\/a>
https:\/\/www.facebook.com\/timetokillrecords\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Time To Kill Records\u00a0is thrilled to announce that\u00a0\u201cMurderworks\u201d, the iconic third album by Finnish grindcore…<\/p>\n","protected":false},"author":2,"featured_media":115186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_mo_disable_npp":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-115185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/115185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=115185"}],"version-history":[{"count":1,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/115185\/revisions"}],"predecessor-version":[{"id":115187,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/115185\/revisions\/115187"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/media\/115186"}],"wp:attachment":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=115185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=115185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=115185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}