{"id":113473,"date":"2024-07-20T11:36:59","date_gmt":"2024-07-20T16:36:59","guid":{"rendered":"https:\/\/themetalden.com\/?p=113473"},"modified":"2024-07-20T11:42:44","modified_gmt":"2024-07-20T16:42:44","slug":"rock-coven-debut-new-single","status":"publish","type":"post","link":"https:\/\/themetalden.com\/?p=113473","title":{"rendered":"ROT COVEN – Preview New Single"},"content":{"rendered":"\n

ROT COVEN\u00a0<\/strong>have revealed the second preview of their\u00a0debut album\u00a0“Nightmares Devour The Waking World”<\/strong>, due out\u00a0August 15th 2024<\/strong>\u00a0via\u00a0Aesthetic Death<\/strong>. An excerpt of the track\u00a0“Inverted Chasm”\u00a0<\/strong>is now streaming HERE<\/a>.

ROT COVEN<\/strong>\u00a0is a 2-piece, noise-drenched industrial death metal\/sludge band.

MZ<\/strong>\u00a0sings and plays bass and drums while\u00a0DD<\/strong>\u00a0focuses more on guitar, then both members slather everything in layers of noise boxes, scrap metal, ritual drums and processed field recordings. This duo has been creating music together in various bands for around twenty years.

Born of a lifelong love of cosmic horror, heavy riffs, and creeped-out industrial noise, the band that would become\u00a0ROT COVEN<\/strong>\u00a0first saw the light of day during the COVID-19 lockdowns of spring 2020.

The initial idea was to fuse ominous dark ambient synth textures with pounding “doom” style drums, but bass, guitars, vocals, and scrap metal percussion were quickly added to the mix resulting in a room-shaking cacophony equal parts Autopsy, Chu Ishikawa and the slow crawling No-Wave dirges of early SWANS.

ROT COVEN<\/strong>‘s first physical release\u00a0“Nightmares Devour the Waking World”<\/strong>\u00a0pairs two full-length albums:\u00a0Phase I<\/strong>\u00a0(initally self-released through the duo’s bandcamp) and the unreleased follow-up\u00a0Phase II<\/strong>.\u00a0Phase I<\/strong>\u00a0builds colossal sludge riffs out of lurking death industrial dronescapes with the final track erupting into a supernova of scorching psychedelic leads and almost “doomgaze” melodicism, while\u00a0Phase II<\/strong>\u00a0descends deeper into the abyss, adding elements of unrelentingly ugly death metal to their apocalyptic scum-dirge.

Both albums explore a planet ravaged by cataclysms – storms of poison ash, churning acidic seas, and deserts that spread like a sentient organism. Colony collapse disorder on a galactic scale. A world where nature is so thoroughly gutted that reality itself starts to corrode, letting something seep in from “outside.” A hostile consciousness so massive and utterly alien that the last remaining humans begin to worship it as a god:

Hideous rituals of blood and fire.
Cathedrals sculpted from scrap metal and the shattered bones of the dead.
The soul slowly, inexorably, replaced by void.

ROT COVEN<\/strong>\u00a0draws influence from Godflesh, Coffins, Abruptum, Wallowing, Body Void, Ramleh, Pain Teens, White Mice, Throbbing Gristle, Missing Foundation, Melvins, Flipper, early Butthole Surfers, Mighty Sphincter, No Trend, Einst\u00fcrzende Neubauten, Lustmord and Megaptera.

Tracklist:<\/p>\n\n\n\n

Phase I:
01. Blood Pours Out of the Sun<\/strong>
02. Feast of the Rotted Mother<\/strong>
03. Antimatter Halo<\/strong>
04. Queen of the Void<\/strong>
05. Those Who Worship Fallen Stars<\/strong><\/p>\n\n\n\n

<\/strong>Phase II:
01. Inverted Chasm
02. Psychological Contamination Zone
03. Accretion Disk Necropolis<\/strong>

<\/strong>ROT COVEN<\/strong><\/p>\n\n\n\n

https:\/\/www.facebook.com\/RotCoven<\/a><\/p>\n\n\n\n

https:\/\/rusteater.bandcamp.com\/<\/a><\/strong>

Aesthetic Death<\/strong><\/p>\n\n\n\n

https:\/\/aestheticdeath.bandcamp.com<\/a><\/p>\n\n\n\n

https:\/\/www.aestheticdeath.com<\/a><\/p>\n\n\n\n

https:\/\/www.facebook.com\/aestheticdeath.uk<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

ROT COVEN\u00a0have revealed the second preview of their\u00a0debut album\u00a0“Nightmares Devour The Waking World”, due out\u00a0August…<\/p>\n","protected":false},"author":2,"featured_media":113475,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_mo_disable_npp":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-113473","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/113473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=113473"}],"version-history":[{"count":4,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/113473\/revisions"}],"predecessor-version":[{"id":113478,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/113473\/revisions\/113478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/media\/113475"}],"wp:attachment":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=113473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=113473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=113473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}