{"id":113469,"date":"2024-07-19T17:09:05","date_gmt":"2024-07-19T22:09:05","guid":{"rendered":"https:\/\/themetalden.com\/?p=113469"},"modified":"2024-07-19T17:09:07","modified_gmt":"2024-07-19T22:09:07","slug":"deathless-void-debut-album-announced","status":"publish","type":"post","link":"https:\/\/themetalden.com\/?p=113469","title":{"rendered":"DEATHLESS VOID &#8211; Debut Album Announced"},"content":{"rendered":"\n<p class=\"has-text-align-center\">IRON BONEHEAD PRODUCTIONS is proud to present DEATHLESS VOID&#8217;s highly anticipated debut album,&nbsp;<em>The Voluptuous Fire of Sin<\/em>, on CD and vinyl LP formats.<br \/><br \/>Hailing from the resurgent Dutch black metal scene, the then-mysterious DEATHLESS VOID made their public debut with a self-titled EP in early 2022, released by IRON BONEHEAD. Across its three-song \/ 15-minute runtime was a&nbsp;vacuum of violent, post-modern death energy. Their foundation was undoubtedly black metal, but their vision was not blinkered by the past; if anything, the jet-stream of crushing chaos across&nbsp;<em>Deathless Void&nbsp;<\/em>was futuristic, albeit a ruined vision of such.&nbsp;<br \/><br \/>Reprising two of those EP tracks,&nbsp;<em>The Voluptuous Fire of Sin<\/em>&nbsp;becomes the penultimate first statement from DEATHLESS VOID. Much of that foundation is fortunately still in place &#8211; palpitating physicality mutated into&nbsp;cold, cutting, gleaming-yet-bloodstained steel &#8211; but the now-quartet have excised some of the noisier crags of that EP in favor of a more organic soundfield, which exceptionally amplifies the latent nightsky melodicism of their black metal. In terms of that EP, one could point to later Katharsis or Antaeus or especially turn-of-the-millennium Thorns as touchstones; on&nbsp;<em>The Voluptuous Fire of Sin<\/em>, there&#8217;s a palpably late &#8217;90s feel in both songwriting and production, such that one could psychically slot the album among the No Fashion Records roster back then. Still, said EP whipped forth its own&nbsp;dread and delirium, and DEATHLESS VOID duly maximize that sensation here. The riffs and rhythms may attack in a somewhat-familiar manner, but coursing through their bloodstream is a haunting aspect that hovers both above and below, each texture daubed in nightmarishly psychedelic color &#8211; all emanating from BLACK. Not for nothing does the record (violently) begin with &#8220;Psychedelic Warfare&#8221; on to &#8220;Purple Triad,&#8221; with &#8220;The Ecstasy of Sin&#8221; able to be tasted when &#8220;Crossing the Threshold&#8221; until, finally, there&#8217;s a &#8220;Curse Upon You&#8221;&#8230;&nbsp;<br \/><br \/>The start of THE END begins again: DEATHLESS VOID&#8217;s&nbsp;<em>The Voluptuous Fire of Sin<\/em>!<br \/><br \/><strong>TRACK STREAM TO USE IN REVIEWS:<br \/><\/strong><strong><a href=\"http:\/\/soundcloud.com\/iron-bonehead-productions\/deathless-void-vortex-climax\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/soundcloud.com\/iron-<wbr \/>bonehead-productions\/<wbr \/>deathless-void-vortex-climax<\/a><\/strong><strong><br \/><br \/><\/strong><strong>MORE INFO:<\/strong><strong><br \/><\/strong><strong><a href=\"https:\/\/www.facebook.com\/Deathless-Void-103576735546776\" target=\"_blank\" rel=\"noreferrer noopener\">www.facebook.com\/Deathless-<wbr \/>Void-103576735546776<\/a><\/strong><strong><br \/><a href=\"https:\/\/www.ironbonehead.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.ironbonehead.de<\/a><br \/><a href=\"https:\/\/www.ironboneheadproductions.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.ironboneheadproductions.<wbr \/>bandcamp.com<\/a><br \/><\/strong><a href=\"https:\/\/www.facebook.com\/ironboneheadproductions%C2%A0\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>www.facebook.com\/<wbr \/>ironboneheadproductions<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>IRON BONEHEAD PRODUCTIONS is proud to present DEATHLESS VOID&#8217;s highly anticipated debut album,&nbsp;The Voluptuous Fire&#8230;<\/p>\n","protected":false},"author":2,"featured_media":113470,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_mo_disable_npp":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-113469","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/113469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=113469"}],"version-history":[{"count":1,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/113469\/revisions"}],"predecessor-version":[{"id":113471,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/posts\/113469\/revisions\/113471"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=\/wp\/v2\/media\/113470"}],"wp:attachment":[{"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=113469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=113469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/themetalden.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=113469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}